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Evgeny Knyazev was
born on 9 August 1955, near Yasnaya Polyana (Tula
Region). The only brother of three sisters, he was
given lots of love and attention. This happy time
formed his personality, his strong moral principles
and his noble and easy-going nature. He would impart
such qualities to many of his stage characters later
on. His personal integrity and the clarity of his
attitude to life also came from his childhood. His
mother, Zoya Ivanovna, was a housewife. Her major
regret in life was not being able to afford to buy a
piano for Evgeny. His father, Vladimir Ivanovich, a
shy and modest man, who looked like the French actor
Jean Gabin, was a miner.
Knyazev was
dreaming about the stage since his childhood, but
his path to it wasn’t easy. He tried to enroll at
the Shchukin Drama College in Moscow after finishing
his secondary school in 1972, but he failed the
admission then because he was considered too young.
Eventually, he went to the Mining Institute. However,
his true nature prevailed, and from the third year
on, Knyazev started taking parts in amateur
performances. During his work experience as a
student in Leningrad, he tried his luck by applying
to Ruben Agamirzyan’s class at the LGITMiK (Leningrad
State Institute for Theatre, Music and Cinema). |
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But he couldn’t just quit
the Mining Institute without getting a diploma. After his
graduation in 1978, he tried the Shchukin again. This time
he was admitted. The switch from science and technology to
drama sketches wasn’t easy for Knyazev, but he studied hard
nevertheless. His tutors helped him to overcome the hard
bits. Lyudmila Vladimirovna Stavskaya, his course tutor, was
successful in developing his abilities and teaching him to
trust his own talent.
The Shchukin College became
his home base. During the day, he would work pat time in the
dressing room with his close friend Evgeny Dvorzhezky, visit
exhibitions and theatres after work and read a lot. He tried
to take from life as much as he could. Many years later, in
2003, Knyazev became head of the Shchukin Theatre Institute.
In 1982, the young graduate joined the famous troupe of Evgeny Simonov,
director of the Moscow Vakhtangov Theatre. His first success
came with playing the part of Gaetan in the play “The Rose
and the Cross”. Simonov identified correctly the young actor’s type
– a romantic |
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